{"id":7300,"date":"2018-01-17T02:35:12","date_gmt":"2018-01-17T10:35:12","guid":{"rendered":"http:\/\/gayecho.com\/news\/?p=7300"},"modified":"2018-01-17T02:35:12","modified_gmt":"2018-01-17T10:35:12","slug":"horor-iz-cetrdesetih-koji-se-otvoreno-bavio-lezbejstvom-i-satanizmom","status":"publish","type":"post","link":"https:\/\/gayecho.com\/news\/horor-iz-cetrdesetih-koji-se-otvoreno-bavio-lezbejstvom-i-satanizmom\/","title":{"rendered":"Horor iz \u010detrdesetih koji se otvoreno bavio lezbejstvom i satanizmom"},"content":{"rendered":"

O\u010digledno je da su za Holivud 1943. godine \u017eene bile jedva ne\u0161to vi\u0161e od predmeta po\u017eude. U jednom od najpoznatijih filmova te godine, u Senci sumnje<\/i> Alfreda Hi\u010dkoka, mlada devojka neobi\u010dno je opsednuta ujakom koji im je do\u0161ao u posetu, a njen je primarni zadatak da udovolji svim mu\u0161karcima u njenom doma\u0107instvu. A opet, malo poznati horor noar Sedma \u017ertva <\/i>(u re\u017eiji Marka Robsona, ali za koji je najvi\u0161e zaslu\u017ean producent Val Luton), film koji je premijeru imao iste godine kad i Hi\u010dkokov klasik, \u017eene opisuje radikalno druga\u010dije. Njegovi \u017eenski likovi sami upravljaju svojom sudbinom, imaju intimne seksualne odnose jedni s drugima i ne pla\u0161e se da odbruse mu\u0161karcima.<\/p>\n

\"\"Film je prevashodno usredsre\u0111en na Meri (igra je zanosna Kim Hanter), mladu \u017eenu koja saznaje da je njena starija sestra i jedina starateljka \u017daklina (D\u017ein Bruks) nestala u Njujorku. Kad joj u internatu saop\u0161tavaju da je njena sestra prestala da pla\u0107a njeno \u0161kolovanje, Meri je prisiljena da otputuje do velikog grada u potrazi za odgovorima. Dok odlazi, jedna od njenih nastavnica je savetuje: “\u0160ta god da se desi, ne vra\u0107aj se ovamo. \u017dena mora da sakupi hrabrost da bi zaista \u017eivela u ovom svetu.” To je prvi od nekoliko izri\u010dito feministi\u010dkih stavova u filmu \u010diji je cilj isticanje snage \u017eenstvenosti.<\/p>\n

Kad u baru \u010dovek koji tvrdi da zna gde je \u017daklina nalo\u017ei Meri da popije svoje mleko, ona mu podvikne: “Ne volim da mi govore \u0161ta da radim. Da se niste usudili da se pona\u0161ate prema meni kao prema detetu!” On joj ljubazno odgovara: “Obe\u0107avam da ti vi\u0161e nikad ne\u0107u nare\u0111ivati.” Iako vam ovaj dijalog mo\u017eda ne zvu\u010di tako radikalno 2017. godine, on je neobi\u010dno smeo za seksisti\u010dke \u010detrdesete.<\/p>\n

Meri kasnije otkriva da je \u017daklinin kozmeti\u010dki salon prodat njenoj prijateljici Ester Redi (Meri Njuton), ali su motivi za tako ne\u0161to u najmanju ruku sumnjivi. I nakon \u0161to ispita \u017daklininu frizerku Fransis Falon (Izabel D\u017euel) o tome gde je sada \u017daklina, Meri sti\u017ee u stan svoje sestre \u2014 iznad italijanskog restorana koji se zlokobno zove “Kod Dantea” \u2014 i u dnevnoj sobi pronalazi om\u010du i stolicu. \u017daklina se, ispostavlja se, upetljala u satanisti\u010dki kult i trenutno je u bekstvu.<\/p>\n

\"\"Prema istori\u010daru filma i autoru TASCHEN-a Polu Dankanu, film je namerno dvosmislen. “Film Sedma \u017ertva <\/i>je kontra-intuitivan po na\u010dinu pripovedanja i sadr\u017eaju, i tu je bitnije odsustvo nekih stvari nego njihovo prisustvo”, ka\u017ee on. “Film govori o svemu onome \u0161to se ne vidi i o stvarima koje ostaju neizre\u010dene.” Ali za\u0161to bi \u017daklina \u017eelela da se ubije?<\/p>\n

Znakova za tako ne\u0161to ima u izobilju. \u017daklina se malo pre toga udala za advokata Gregorija Vorda (Hju Bomont), ali ipak ne pokazuje \u017eelju da preuzme njegovo prezime ili da s njim bude u ljubavnoj vezi. Vord se poverava Meri: “Ima ne\u0161to kod tvoje sestre u \u0161ta \u010dovek nikad do kraja ne mo\u017ee da pronikne.” \u017daklina je tako\u0111e “nezadovoljna” svojim \u017eivotom, zbog \u010dega redovno pose\u0107uje psihijatra doktora Luisa D\u017eada. (Doktora sarkasti\u010dno igra Tom Konvej, koji ponavlja ulogu iz Lutonovog na sli\u010dan na\u010din uvrnutog remek-dela Ljudi ma\u010dke<\/i> \u2014 filma koji se tako\u0111e bavi potisnutom seksualno\u0161\u0107u.) Ispostavlja se da se \u017daklina spetljala sa tajnim kultom, a njegovi \u010dlanovi je sada \u017eele mrtvu, jer se pla\u0161e da je ispri\u010dala svom psihijatru za njih.<\/p>\n

\"\"Na jednom od ranih sastanaka sekte, usputno se pominje da je frizerka Fransis \u2014 tako\u0111e u raljama Satane \u2014 “zaljubljena” i voli da je “intimna” sa \u017daklinom. Kasnije Satanisti hvataju \u017daklinu i poku\u0161avaju da je nateraju da popije otrov, ali ona to odbija \u2014 prihvata tek na insistiranje Fransis, sa kojim razmenjuje mnoge poglede pune ljubavi. Film nikad eksplicitno ne potvr\u0111uje njihovu seksualnu vezu, ali snaga emocija izme\u0111u njih je o\u010digledna. Kad se Fransis predomisli i spase \u017daklini \u017eivot razbiv\u0161i \u010da\u0161u sa otrovom, ona se prodere: “Ne mogu da dozvolim da umre\u0161. Sre\u0107na sam samo kad sam s tobom.”<\/p>\n

“Nije te\u0161ko shvatiti da je prava pri\u010da, koja nije mogla biti otvoreno ispri\u010dana u ono vreme, ta da se \u017daklina \u2014 koja je zaljubljena u Frensis, ali to pori\u010de \u2014 udaje za Gregorija Vorda, ali ne mo\u017ee da se pomiri sa svojom odlukom”, obja\u0161njava Dankan. “Satanizam je tu tek diverzija, krivi trag, skretanje pa\u017enje sa prave drame: da lezbejstvo nije prihva\u0107eno u dru\u0161tvu.”<\/p>\n

Sedma \u017ertva <\/i>pokazuje i jezivu opsesiju smrtno\u0161\u0107u. \u017daklina \u017eivi pored smrtno bolesne \u017eene po imenu Mimi i u jednoj od zavr\u0161nih scena filma, njih dve vode potresan razgovor. “Ja umirem, ali ve\u010deras \u0107u iza\u0107i da se smejem i ple\u0161em”, ka\u017ee Mimi u pazi izme\u0111u dva napada ka\u0161lja. \u017daklina odgovara: “Za\u0161to \u010dekati smrt? Oduvek sam \u017eelela da umrem.”<\/p>\n

Dok u slede\u0107oj sceni Mimi prolazi pored \u017daklininog stana, hodnikom odjekuje zvuk \u0161utiranja stolice. Glas naratora potom zavr\u0161ava film sonetom D\u017eona Dona: “ I run to death, and death meets as fast, and all my pleasures are like yesterday<\/i>.” \u017daklina, nemo\u0107na da se oslobodi kulta, prepu\u0161tena na milost i nemilost dru\u0161tva, preuzima kontrolu nad svojom sudbinom tako \u0161to se obesi. Ali uprkos tako mra\u010dnom kraju, njeno samoubistvo deluje neobi\u010dno mo\u0107no \u2014 \u0161tavi\u0161e, producent Val Luton izjavio <\/b>je da je \u017eeleo da primarna poruka filma bude da “smrt ponekad mo\u017ee da bude dobra stvar”.<\/p>\n

Na\u017ealost, film Sedma \u017ertva <\/i>dobio je masu lo\u0161ih kritika posle premijere. Posebno neprijatna bila je recenzija iz Njujork Tajmsa<\/i>, u kojoj je filmski kriti\u010dar Bozli napisao: “Imao bi vi\u0161e smisla da je pu\u0161ten unatrag.” Ali vremenom su mnogi preispitali nasle\u0111e ovog nedovoljno gledanog filma. “ Sedma \u017ertva <\/i>je brutalno malo remek-delo o samouni\u0161tenju, u kojem je dru\u0161tvo nemilosrdnije od satanista”, ka\u017ee Dankan.<\/p>\n

Lezbejski seks nije eksplicitno prikazan na velikom ekranu sve do \u0161ezdesetih, u filmovima kao \u0161to je Lisica<\/i> (1967). Ipak, ovaj film je o\u010digledno ostavio utisak na \u010ditave generacije horor autora: osvetljenje u zlokobnoj sceni u tu\u0161 kabini sa Meri pokazuje upe\u010datljive sli\u010dnosti sa slavnom scenom ubistva D\u017eenet Li u Psihu<\/i> (1960) Alfreda Hi\u010dkoka, a njegov zaplet (satanisti\u010dki kult na Menhetnu) deli narativne teme sa remek-delom Romana Polanskog Rozmarina beba<\/i> (1968). Sedamdeset \u010detiri godine kasnije, krajnje je vreme da Sedmu \u017ertvu <\/i>otkrije i \u0161ira publika \u2014 koja je, mo\u017eda vi\u0161e od publike iz \u010detrdesetih, danas spremna da ceni njegovo upozorenje o fatalnim posledicama potisnute seksualnosti.<\/p>\n

Izvor: Vice<\/a><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

O\u010digledno je da su za Holivud 1943. godine \u017eene bile jedva ne\u0161to vi\u0161e od predmeta po\u017eude. U jednom od najpoznatijih filmova te godine, u Senci sumnje Alfreda Hi\u010dkoka, mlada devojka […]<\/p>\n","protected":false},"author":1,"featured_media":7301,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[13,21,12],"tags":[93,94,34,29,48],"class_list":["post-7300","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-lezbos","category-umetnost","tag-film","tag-istorija","tag-lezbos","tag-sad","tag-vice"],"yoast_head":"\nHoror iz \u010detrdesetih koji se otvoreno bavio lezbejstvom i satanizmom - GayEcho<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gayecho.com\/news\/horor-iz-cetrdesetih-koji-se-otvoreno-bavio-lezbejstvom-i-satanizmom\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Horor iz \u010detrdesetih koji se otvoreno bavio lezbejstvom i satanizmom - GayEcho\" \/>\n<meta property=\"og:description\" content=\"O\u010digledno je da su za Holivud 1943. godine \u017eene bile jedva ne\u0161to vi\u0161e od predmeta po\u017eude. 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