{"id":6357,"date":"2017-10-23T22:11:24","date_gmt":"2017-10-24T06:11:24","guid":{"rendered":"http:\/\/gayecho.com\/news\/?p=6357"},"modified":"2017-10-23T22:11:24","modified_gmt":"2017-10-24T06:11:24","slug":"prvi-gej-film-drugaciji-od-drugih-1919","status":"publish","type":"post","link":"https:\/\/gayecho.com\/news\/prvi-gej-film-drugaciji-od-drugih-1919\/","title":{"rendered":"Prvi gej film: Druga\u010diji od drugih, 1919."},"content":{"rendered":"

Transparenti koji nam obe\u0107avaju da \u0107e ljubav jednog dana pobediti mr\u017enju podse\u0107aju na ono \u0161to je Magnus Hirschfield izgovorio 1919. godine na berlinskoj premijeri filma Druga\u010diji od drugih \u2013\u201cUskoro \u0107e do\u0107i dan kada \u0107e nauka pobediti gre\u0161ku, pravda nepravdu, a ljubav \u0107e odneti pobedu nad mr\u017enjom i neznanjem\u201d. Taj dan jo\u0161 uvek \u010dekamo.<\/em><\/p>\n

\"\"U nemom filmu iz 1919. godine Razli\u010diti od drugih<\/em> (Different from the Others<\/em><\/a>), koji se smatra prvim filmom u istoriji kinomatografije koji se bavi problemima istopolne ljubavi, postoji tek jedna scena koja uliva nadu. U njoj, vitki, mladi mu\u0161karac svira klavir u svojoj sobi za crtanje koja je sme\u0161tena negde u Berlinu. On je Paul K\u00f6rner, virtouz na violini, koji se u sceni pojavljuje u svilenom ogrta\u010du, okru\u017een te\u0161kim draperijama i gr\u010dkim figurama, na osnovu \u010dega gledalac mo\u017ee da zaklju\u010di da ovaj \u017eivi rasko\u0161nim, ali usamljenim \u017eivotom. Ve\u0107 u slede\u0107oj sceni ga neo\u010dekivani doga\u0111aj usmerava na novi kurs: a katalizator je mladi student muzike, koji u tom trenutku ulazi u prostoriju. Kurt Sivers, mladi\u0107 okruglog lica, bio je na svim koncertima svog budu\u0107eg mentora, te mu sada prilazi nervozno, dlanova sme\u0161tenih na grudi. \u201cMoja najve\u0107a \u017eelja bi se ostvarila ako biste pristali da budete moj profesor!<\/em>\u201d stoji u titlu ispod scene. Paul na molbu odgovara tako \u0161to mladi\u0107u pru\u017ea ruku, te njihov novonastali savez u tom trenutku izgleda kao savr\u0161en spoj strasti i autoriteta, ali \u0107e dalji tok filma, te njegov zavr\u0161etak, pokazati da i nije ba\u0161 tako \u2013 a pru\u017eaju\u0107i sliku samoprezira i okrutnosti koje homoseksualna ljubav \u010desto budi, \u010dak i u vajmarskom Berlinu.<\/p>\n

Scenario za film, koji su potpisali gej seksolog Magnus Hirschfeld i austrijski reditelj Richard Oswald, nudi pri\u010du o pojedincu koji pati \u201cne zbog svog stanja, ve\u0107 od pogre\u0161nog percipiranja onoga \u0161to ose\u0107a<\/em>\u201d. Do 1933. godine, kada su nacisti u\u0161li na Institut za seksualna istra\u017eivanja<\/em> na kojem je Hirschfield radio, a koji se tako\u0111e nalazio u Berlinu, sve poznate kopije filma bile su uni\u0161tene. Sre\u0107om, doktor je 40 minuta filma uklju\u010dio u nau\u010dni film Zakoni ljubavi<\/em> (Laws of Love<\/em><\/a>), koji je prikazan u Rusiji krajem dvadesetih ili po\u010detkom tridesetih godina, te ostao u tamo\u0161njoj arhivi. Osamdesetih godina po\u010delo se sa poku\u0161ajima da se film restaurira deo po deo, ali se u tome nije uspelo sve do kraja 2016. godine, \u0161est godina po\u0161to je U.C.L.A. filmska i televizijska arhiva otkupila kopiju filma Zakoni ljubavi <\/em>\u2013 \u0161to je bolji izvor, budu\u0107i da je film Druga\u010diji od drugih<\/em> zavr\u0161en pod budnim okom nacista, te je potpuno izmenjen narativni deo. Mnogo godina pre Alfred-a Kinsey-a Hirschfeld je raspravljao o tome da homoseksualnost nije abnormalna, budu\u0107i da se javlja u kontinuumu, \u0161to je jedan od osnovnih uslova da se neka pojava smatra \u201cprirodnom\u201d.<\/p>\n

Film pru\u017ea jo\u0161 jednu \u010dinjenicu u vezi sa ovom pri\u010dom: da mr\u017enja mo\u017ee da otruje \u010dak i najliberalnija dru\u0161tva. Na povr\u0161ini je u vajmarskoj Nema\u010dkoj vladala tolerancija, a oni koji su bili oprezni mogli su lako da izbegnu opasnosti koje su vrebale zbog Paragrafa 175<\/em><\/a>, koji je zabranjivao \u201cneprirodne bludne radnje<\/em>\u201d. Zakoni o cenzuri bili su dovoljno fleksibilni da omogu\u0107e da se film poput Druga\u010diji od drugih uop\u0161te snimi, a zajedno sa drugim filmovima sa sli\u010dnom tematikom koji su posle njega usledili \u2013 poput Pandorine kutije<\/em> (Pandora\u2019s Box<\/em><\/a>) iz 1929. godine, \u010dija je glavna junakinja, \u0161armantna grofica, jedna od prvih lezbejki koje su se pojavile na velikom platnu, te Devojke u uniformi<\/em> (M\u00e4dchen in Uniform<\/em><\/a>) iz 1931. godine koji se de\u0161ava u brutalnom internatu za devojke, u kojem vlada sna\u017ean erotski naboj. Vajmarski no\u0107ni \u017eivot je tako\u0111e bio slobodan: mu\u0161karci obu\u010deni u \u017eensku ode\u0107u odlazili su u klub Silhouette, \u017eene obu\u010dene u mu\u0161ku u Mikado; a u Eldorado su odlazili svi oni \u010diji bi se rod danas shvatao kao fluentan. Kada je Anita Loos, autorka knjige Mu\u0161karci vi\u0161e vole plavu\u0161e<\/em> (Gentlemen Prefer Blondes<\/em><\/a>) posetila Berlin krajem dvadesetih godina primetila je da se vrlo lako \u201cza neku berlinsku damu mo\u017ee ispostaviti da je mu\u0161karac, te da je najlep\u0161a devojka na ulici bila\/o Conrad Veidt<\/em>\u201d \u2013 glumac koji je upravo igrao Paul-a K\u00f6rner-a u filmu Druga\u010diji od drugih.<\/p>\n

Ipak, postoji naro\u010dita vrsta srama i patnje koje dolaze iz polu-otvorenog na\u010dina \u017eivota, u okviru kojeg se ta\u010dno zna \u0161ta odre\u0111enom pojedincu nije dozvoljeno. U filmu Druga\u010diji od drugih mo\u017eemo da vidimo kako Paul gubi veru u zajedni\u0161tvo, dok se se\u0107a scene iz vremena kada je kao u\u010denik boravio u internatu, u okviru koje \u010dita sa svojim cimerom Max-om, te ga zagrli. U tom trenutku jedan od profesora ulazi u prostoriju, te po\u010dne da besni: budu\u0107i da je Max trebalo da sam uradi svoj doma\u0107i zadatak, \u0161to je bila neka vrsta kazne za \u201cnepo\u017eeljne sklonosti\u201d. Kao student K\u00f6rner je \u017eiveo usamljeni\u010dkim \u017eivotom, posve\u0107en jedino u\u010denju, obja\u0161njava se dalje u titlu za slede\u0107u scenu. Onda ga vidimo kako \u010dita, dok mu se prkrada petorica mladi\u0107a, koji \u0107e mu za koji trenutak objasniti kako mu se devojke podsmevaju jer ga uop\u0161te ne vi\u0111aju da se zabavlja. To \u0107e im poslu\u017eiti kao razlog da ga pozovu da krene sa njima u bordel, gde \u0107e dve \u017eene u izazovnim haljinama poku\u0161ati da ga poljube. \u201cAko je taj de\u010dko normalan, ja sam devica<\/em>\u201d, re\u0107i \u0107e madam bordela \u2013 komentar koji \u0107e Paula naterati da potra\u017ei pomo\u0107 od hipnotizera, doktora za konverzivnu terapiju tog vremena.\"\"<\/p>\n

Nije stanje u kojem se K\u00f6rner nalazi krivo za njegov pad koji \u0107e uslediti, bar ne direktno: osude u okviru anti-sodomijskog zakona tada\u0161njeg Berlina obi\u010dno su dolazile posle ucena od strane iznu\u0111iva\u010da koji su operisali u sklopu polusveta koji je \u010dinio dobar deo no\u0107nog \u017eivota. Takav je i Franz Bollek, kojeg igra velika filmska zvezda tog doba – Reinhold Sch\u00fcnzel, a koji u jednoj sceni prolazi pored Kurt-a i Paul-a u parku. \u201cZgodan mladi\u0107<\/em>\u201d, ka\u017ee Bollek gledaju\u0107i u Kurt-a, dok se Paul se\u0107a kako ga je nekoliko godina pre toga taj isti \u010dovek ucenjivao po\u0161to su se upoznali na jednom maskenbalu. Scena sa tog maskenbala, u kojoj grupa androginih osoba ple\u0161e, smatrale se jednom od najkontroverznijih.<\/p>\n

Posle tog susreta Bollek odlu\u010duje da ponovi svoju ucenu, te se istog dana kada Paul i Kurt zajedno nastupaju na koncertu, pojavljuje u Paul-ovoj dnevnoj sobi. \u201cNe uzbu\u0111uj se!<\/em>\u201d ka\u017ee Kurt-u u slede\u0107oj sceni, \u201cSigurno i tebe pla\u0107a<\/em>\u201d. Kurt se ne bavi seksualnim radom, ali su taj komentar, te \u00a0\u010dinjenica da Paul uop\u0161te poznaje tipove poput Bollek-a, dovoljan razlog da se udalji, te u pismu sestri ka\u017ee kako je sada \u201codlu\u010dan da sam pravi karijeru, te se samostalno probija dalje<\/em>\u201d. Paul, u me\u0111uvremenu, odbija da odgovori na Bollek-ove ucene, te ga ovaj prijavljuje policiji, za \u0161ta dobija kaznu od nedelju dana zatvora. Iako mala, kazna zna\u010di njegovu profesionalnu i dru\u0161tvenu propast, pa ga u slede\u0107oj sceni vidimo kako uzima nekoliko kapsula sa cijanidom i umire.\"\"<\/p>\n

Lo\u0161i zakoni mogu da uni\u0161te dobre odnose, posebno ako se primenjuju tako da i pored pretnje kaznom, ostavljaju taman toliko prostora da se zabranjene veze formiraju. Na kraju filma postojala je scena koja je kasnije izgubljena, a u kojoj se d\u017einovska ruka nadnosi nad nema\u010dki zakonik i bri\u0161e Paragraf 175. Bilo je zgodno da se scena izgubi, po\u0161to je zakon postojao jo\u0161 mnogo godina posle nastanka filma. Nacisti su ga iskoristila da u zatvor po\u0161alju oko 46.000 ljudi, te oko 10.000 u koncentracione logore. Posle oslobo\u0111enja su mnogi, koji su bili ka\u017enjeni po ovom paragrafu, ponovo zatvoreni, bilo u Isto\u010dnoj, bilo u Zapadnoj Nema\u010dkoj, budu\u0107i da je i u jednom i u drugom delu Paragraf 175 postojao do 1970. \u017dalbe su ulo\u017eene tek 1994. godine, da bi od\u0161teta, onima koji su jo\u0161 uvek bili \u017eivi, pla\u0107ena tek 2016.<\/p>\n

I danas \u017eivimo u senkama razli\u010ditih formi koje podse\u0107aju na Paragrap 175, budu\u0107i da se sli\u010dni zakoni primenjuju u desetinama zemalja. U Sjedinjenim ameri\u010dkim dr\u017eavama, na primer, anti-sodomijski zakon je progla\u0161en neustavnim tek 2003. godine, a u mnogim konzervativnim dr\u017eavama se nezvani\u010dno primenjivao i posle toga. Transparenti koji nam obe\u0107avaju da \u0107e ljubav jednog dana pobediti mr\u017enju podse\u0107aju na ono \u0161to je Magnus Hirschfield izgovorio 1919. godine na berlinskoj premijeri filma Druga\u010diji od drugih \u2013\u201cUskoro \u0107e do\u0107i dan kada \u0107e nauka pobediti gre\u0161ku, pravda nepravdu, a ljubav \u0107e odneti pobedu nad mr\u017enjom i neznanjem<\/em>\u201d. Taj dan jo\u0161 uvek \u010dekamo.<\/p>\n

Pi\u0161e:<\/strong> Daniel Wenger <\/a> <\/span><\/div>\n
Preveo Milan \u017divanovi\u0107<\/strong><\/em><\/div>\n
Izvor: XXZ magazin<\/a><\/strong><\/div>\n","protected":false},"excerpt":{"rendered":"

Transparenti koji nam obe\u0107avaju da \u0107e ljubav jednog dana pobediti mr\u017enju podse\u0107aju na ono \u0161to je Magnus Hirschfield izgovorio 1919. godine na berlinskoj premijeri filma Druga\u010diji od drugih \u2013\u201cUskoro \u0107e […]<\/p>\n","protected":false},"author":1,"featured_media":6358,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[13,12],"tags":[93,202,58,295],"class_list":["post-6357","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-umetnost","tag-film","tag-nemacka","tag-umetnost","tag-xxz-magazin"],"yoast_head":"\nPrvi gej film: Druga\u010diji od drugih, 1919. - GayEcho<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gayecho.com\/news\/prvi-gej-film-drugaciji-od-drugih-1919\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Prvi gej film: Druga\u010diji od drugih, 1919. - 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