{"id":2112,"date":"2016-11-15T01:52:06","date_gmt":"2016-11-15T09:52:06","guid":{"rendered":"http:\/\/gayecho.com\/news\/?p=2112"},"modified":"2016-11-15T01:52:06","modified_gmt":"2016-11-15T09:52:06","slug":"emocijama-protiv-homofobije","status":"publish","type":"post","link":"https:\/\/gayecho.com\/news\/emocijama-protiv-homofobije\/","title":{"rendered":"Emocijama protiv homofobije"},"content":{"rendered":"

Promena odnosa sredine prema gej-populaciji posti\u017ee se pre svega umetno\u0161?u i emocijama, cheap<\/a> ka\u017ee rediteljka Bojana Lazi?, hospital<\/a> povodom premijere predstave \u201eNarodna drama\u201c na sceni \u201eRa\u0161a Plaovi?\u201c Narodnog pozori\u0161ta u Beogradu.<\/em><\/p>\n

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DW:<\/strong> Premijera va\u0161e predstave \u201eNarodna drama\u201c zakazana je za 17. novembar. \u0160ta je tema i kako je do\u0161lo do odluke da se igra u Narodnom pozori\u0161tu?<\/em><\/p>\n

Bojana Lazi?:<\/strong> \u201eNarodna drama\u201c govori o ljubavi i slobodi, temama koje se ti?u svih nas. Olga Dimitrijevi? je taj dramski komad napisala 2009. godine, kao ispitni rad. Ve? tada mi je bio umetni?ki provokativan, zbog Olginog pionirskog poduhvata \u2013 uvo?enja teme istopolne ljubavi u doma?u dramsku literaturu, kao i zbog ?injenice da je radnja sme\u0161tena u srpsko selo. Forma i jezik \u201eNarodne drame\u201c veoma su inspirativni za rad sa glumcima, jer predstavljaju miks realisti?nih dijaloga i masivnih bujica poezije. Gotovo deset godina kasnije, direktor Drame Narodnog pozori\u0161ta \u017deljko Huba?, pozvao me je da re\u017eiram taj tekst. Inicijativa je, dakle, krenula od institucije, \u0161to mislim da ima jo\u0161 ve?u te\u017einu.<\/p>\n

Da li to relativizuje utisak i sud da je homofobija u velikoj meri prisutna u Beogradu?<\/em><\/p>\n

Te\u0161ko mi je da odgovorim na to pitanje, po\u0161to se kre?em u uskom krugu ljudi koji se bave umetno\u0161?u i koji su uglavnom otvoreniji i slobodniji od proseka. Mada, ni to nije pravilo. Beograd je metropola po broju stanovnika, mostova, par visokih solitera i po malom broju izuzetnih ljudi koji imaju neku vrstu \u201emetropolskog\u201c pogleda na svet. Sa druge strane, o Beogradu mo\u017eemo govoriti i kao o selendri od dva miliona stanovnika. Sve zavisi od toga s kim se sre?emo i koje teme pokre?emo. Ne mislim da ?e ova predstava uspeti da promeni ne?iji stav po pitanju gej-prava i homofobije. Ipak, mislim da je odluka direktora Drame Narodnog pozori\u0161ta da predstavu sa gej-tematikom stavi na repertoar, veoma va\u017ean i hrabar politi?ki potez.<\/p>\n

Rekli ste da su dva klju?na motiva u predstavi ljubav i sloboda. O kakvoj vrsti slobode je re??<\/em><\/p>\n

O slobodi u naj\u0161irem mogu?nom smislu re?i. U radu na predstavi nismo se oslonili isklju?ivo na ?injenicu da je to gej-pri?a, ve? i na to da je re? o ljubavnoj pri?i u kojoj obe junakinje \u017eude za slobodom da bi njihova ljubav mogla da \u201eprodi\u0161e\u201c. Glavna junakinja komada je devojka Anka, koja \u017eivi na selu i za koju svi ka\u017eu da \u201enije od ovog sveta\u201c. Drama po?inje od trenutka kada njeni roditelji odlu?e da je udaju za Milana, najbogatijeg gazdu u selu, i kada na Ankinu svadbu do?e da peva Branka. Izme?u njih dve ra?a se ljubav. Ali, osim odnosa izme?u njih dve, jako su va\u017ene relacije izme?u Anke i njenih roditelja. Dakle, ovo nije samo melodramska pri?a o dve \u017eene koje se ludo zaljubljuju. Bitna je i reakcija Ankinih roditelja kada saznaju da je njihovo dete gej.<\/p>\n

Mi slobodu tretiramo i kao izbor partnera, ali se ne ograni?avamo samo na to. Peva?ica Branka u prologu ka\u017ee da je \u201eu bekstvu\u201c i da se \u201enikada, nikada, nikada\u201c ne?e vratiti u svoje selo. Ona po svaku cenu hrli ka nekoj svojoj slobodi i ne odustaje od toga, makar ta sloboda bila i na kraju sveta. Anka je neko ko, kada joj se desi ljubav, poku\u0161a da se izbori za svoju slobodu, otisne se u veliki grad \u2013 ali se onda, pod pritiskom i ucenom roditelja, rastane od Branke i vrati u svoje selo. U tom smislu se ovaj komad ti?e svih nas, jer postavlja pitanje koliko imamo snage i koliko smo spremni da iza?emo iz zone komfora, zarad potrage za svojom sre?om, ljubavlju i slobodom.<\/p>\n

Tema predstave je i odnos patrijarhalne sredine prema gej-populaciji. Sa kakvim se odnosom prema sebi danas suo?ava ta populacija u Srbiji?<\/em><\/p>\n

O tome mogu da govorim samo kao gra?anka ove zemlje, a ne kao stru?njak, odnosno kao neko ko se bavi ozbiljnim istra\u017eivanjima u tom smislu. U mom okru\u017eenju ima mnogo visokobrazovanih ljudi, ?ija su deca gej. Me?u njima ima ?ak i psihijatara, ali ni oni nisu uspeli da prihvate tu ?injenicu. Dakle, nije to pitanje obrazovanja ili toga da li neko poti?e sa sela ili iz grada. Mislim da se tu prvenstveno radi o strahu od nepoznatog, kao i o strahu za budu?nost tog deteta, s obzirom na to gde \u017eivimo. Pitanje je samo koji roditelj ima dovoljno snage i ljubavi da savlada sve te strahove i da ponovo, s puno podr\u0161ke i ljubavi, prigrli svoje dete.<\/p>\n

Da li to zna?i da se uprkos naznakama da se odnos prema gej-populaciji u Srbiji menja, i nedavnom odr\u017eavanju Parade ponosa u Beogradu, polo\u017eaj homoseksualnih osoba u Srbiji i dalje drasti?no razlikuje od onog u drugim dr\u017eavama?<\/em><\/p>\n

Naravno da se razlikuje. To mi je izme?u ostalog potvrdio i moj put u \u0160vedsku, Dansku i \u0160paniju. Tamo se na ulicama mogu videti mu\u0161karci i \u017eene koji se dr\u017ee za ruke, a prolaznici im ne upu?uju podozrive poglede. To u Srbiji jo\u0161 uvek nije mogu?e. ?ini mi se da je ovde glavni problem (i takav motiv ima majka u ovom komadu) \u2013 strah i ga?enje zbog\u00a0nepoznatog i druga?ijeg. Zato se oni koji skupe hrabrost i posle 20 godina priznaju svojim najbli\u017eima da su gej, vrlo ?esto suo?e sa odbacivanjem.<\/p>\n

Da li je naslov komada ironiziranje odnosa patrijarhalne sredine u Srbiji prema gej-populaciji?<\/em><\/p>\n

Rekla bih da je naslov komada \u201eNarodna drama\u201c takav jer se ti?e svih nas, po\u0161to je ono \u0161to se de\u0161ava u predstavi ne\u0161to \u0161to se mo\u017ee desiti svakome od nas, i vrlo je mogu?e da se de\u0161ava u skoro svakom selu i gradu u Srbiji.<\/p>\n

U predstavi se koristi narodna muzika. Da li je to i sredstvo da jednu takvu predstavu i tematiku koju obra?uje prihvati \u0161ira publika? <\/em><\/p>\n

Olga Dimitrijevi? je tekstove narodnjaka iz osamdesetih ve? utkala u svoj tekst, \u0161to zna?i da to nije bila rediteljska odluka. Mi narodnjake ovde koristimo kao govor ljubavi. Kada ljubav prestane, u predstavi vi\u0161e nema ni muzike. Rekla bih da smo na kraju dobili predstavu koja je na vi\u0161e nivoa provokativna za publiku: tematski, estetski i muzi?ki. S obzirom na to da se na listi pesama nalaze numere \u0160emse Suljakovi?, Hasana Dudi?a, Nade Top?agi?, Mire Kosovke… ?ini mi se da je glavna subverzija ove predstave upravo taj saundtrek<\/em>, a ne strasni poljubac Anke i Branke na sceni. Gledalac bi u ovoj predstavi trebalo da bude i svedok i akter jer mu se na\u0161e dve junakinje vrlo ?esto obra?aju, tra\u017ee?i podr\u0161ku, pa\u017enju i poverenje.<\/p>\n

Da li ovakva predstava mo\u017ee da deluje na smanjenje homofobije u Srbiji?<\/em><\/p>\n

Ova predstava nema ideju da menja ljude, ve? da istra\u017ei sve aspekte jedne duboke i kompleksne ljubavi izme?u Anke i Branke, kao i bol koji prati tu ljubav. Gledalac tako mo\u017ee da se identifikuje i da u istopolnoj ljubavi, koja mu je mo\u017eda bila daleka i strana, na?e sve najlep\u0161e \u0161to sa sobom nosi svaki ljubavni odnos. \u201eNarodna drama\u201c nije anga\u017eovana predstava \u2013 do publike poku\u0161avamo da dopremo emocijama.<\/p>\n

U predstavi \u201eNarodna drama\u201c igraju Ana Mandi?, Sena ?orovi?, Ivan Markovi?,Anastasia Mandi?, Slobodan Be\u0161ti?, Nina Ne\u0161kovi?, Milica Su\u017enjevi? i Mina Obradovi?. Dramaturzi su Molina Udovi?ki Fotez i Slobodan Obradovi?, scenografiju tj. kostimografiju potpisuju Zorana Petrov i Marina Medenica. Vukasovi?, kompozitor je Vladimir Pejkovi?, a autor scenskog pokreta Damjan Kecojevi?.<\/em><\/p>\n

Izvor: Deutsche Welle<\/a><\/strong><\/p>\n<\/div>\n<\/div>\n","protected":false},"excerpt":{"rendered":"

Promena odnosa sredine prema gej-populaciji posti\u017ee se pre svega umetno\u0161?u i emocijama, cheap ka\u017ee rediteljka Bojana Lazi?, hospital povodom premijere predstave \u201eNarodna drama\u201c na sceni \u201eRa\u0161a Plaovi?\u201c Narodnog pozori\u0161ta u […]<\/p>\n","protected":false},"author":1,"featured_media":2113,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[15,17,12],"tags":[227,52,60,28,58],"class_list":["post-2112","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-pozoriste","category-stav","category-umetnost","tag-deutsche-welle","tag-interview","tag-pozoriste","tag-srbija","tag-umetnost"],"yoast_head":"\nEmocijama protiv homofobije - GayEcho<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gayecho.com\/news\/emocijama-protiv-homofobije\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Emocijama protiv homofobije - 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