{"id":13791,"date":"2021-07-05T00:47:05","date_gmt":"2021-07-05T08:47:05","guid":{"rendered":"https:\/\/gayecho.com\/news\/?p=13791"},"modified":"2021-07-05T00:48:17","modified_gmt":"2021-07-05T08:48:17","slug":"kvir-u-umetnosti-predstave-zena-u-srpskom-slikarstvu","status":"publish","type":"post","link":"https:\/\/gayecho.com\/news\/kvir-u-umetnosti-predstave-zena-u-srpskom-slikarstvu\/","title":{"rendered":"Kvir u umetnosti: Predstave \u017eena u srpskom slikarstvu"},"content":{"rendered":"

\u017dena je delo izvanredne lepote, koju treba pokazivati, upijati, u njoj u\u017eivati, odvajkada se kazuje. I portreti lepih, rasko\u0161no odevenih dama, sa savr\u0161enim frizurama, \u0161minkom, biserima jesu bili prisutni u slikarstvu Kraljevine Jugoslavije izme\u0111u dva rata. No, bilo je i potpuno druga\u010dijih prikaza \u017eena, koje su ru\u0161ile taj savr\u0161eni ideal lepote, bivaju\u0107i naznaka ne\u010deg drugog – homoseksualnosti, kvira…<\/strong><\/p>\n

Neka od tih kvir dela likovne umetnosti, nastalih izme\u0111u dva rata, bila su izlo\u017eena do ju\u010de u okviru postavke \u201eIdentitet(i): Predstave \u017eena u srpskom slikarstvu\u201c u Galeriji Matice srpske.<\/p>\n

\u201eTransvestitima se nazivaju osobe koje imaju sklonosti da nose odelo suprotnog pola. I ta je pojava mnogo rasprostranjenija nego \u0161to se mislilo\u2026Me\u0111utim, ne mo\u017eemo ih smatrati kao bolesnike, jer oni su u svemu ostalom, osim u tome, potpuno normalni\u201c, ovim re\u010dima je \u201eIlustrovani list\u201c 1929. godine u \u010dlanku naslovljenom \u201eTransvestiti\u201c obja\u0161njavao ovu \u201epojavu\u201c.<\/p>\n

\u2013 Kada sam pro\u010ditao taj \u010dlanak bilo mi je zanimljivo \u0161to je prili\u010dno afirmativan za 1929. godinu, i zanimalo me je da li i kako ta epoha u likovnoj umetnosti percipira fenomene koji su nama danas poznati \u2013 pri\u010da za Nova.rs istori\u010dar umetnosti, autor izlo\u017ebe i kustos Galerije Matice srpske Nikola Ivanovi\u0107.<\/p>\n

Androginost je vrlo \u010desta pojava u periodu izme\u0111u dva svetska rata kao posledica borbe \u017eena za rodnu ravnopravnost. Pomenuti \u201eIlustrovani list\u201c, koji je donosio beogradskim damama novine iz belog sveta, ispisao je 1929. i ove redove:<\/p>\n

\u201eAmeri\u010dka \u017eena u\u010di se da mo\u017ee biti potpuno samostalna u \u017eivotu\u2026 la\u0107a se sporta, razvijanja mi\u0161i\u0107a\u2026\u201c<\/p>\n

\u2013 \u017dene su tada na najrazli\u010ditije na\u010dine poku\u0161avale da poka\u017eu kako su sposobne da zauzmu mu\u0161ke uloge u dru\u0161tvu, pa su se \u0161i\u0161ale na kratko, \u010dak nosile i mu\u0161ke komade ode\u0107e. Taj trend koji se odnosio subverzivno i kriti\u010dki prema rodnim normama svakako je deo kvir koncepta \u2013 smatra Ivanovi\u0107.<\/p>\n

\"\"<\/p>\n

Iako je u Beogradu va\u017eila kazna za homoseksualne odnose po \u010dlanu 206 Kaznitelnog zakona iz 1860. godine i na tu temu se nije gledalo blagonaklono, druga\u010dije je bilo u intelektualnim i umetni\u010dkim krugovima. O tome najbolje svedo\u010de brojna dela na kojima se prepoznaje ne\u0161to \u0161to boji odre\u0111enu sumnju da je re\u010d o homoerotskom prikazu.<\/p>\n

Crte\u017e Anastasa Jovanovi\u0107a \u201eOtkriveni\u201c prikazuje na krevetu dve \u017eene u zagrljaju, odevene u tanke haljine koje se jedva naziru, nenadano uhva\u0107ene u intimnom trenutku. Centralni deo crte\u017ea \u201eZabava u ateljeu\u201c Dese Gli\u0161i\u0107 Jovanovi\u0107 zauzimaju dva mu\u0161karca u kratkim suknjama, s maramama na glavi, a jedan od njih nosi improvizovani grudnjak\u2026<\/p>\n

Za \u010ditavu pri\u010du naro\u010dito su zna\u010dajna dela Zore Petrovi\u0107 ili Petra Dobrovi\u0107a. \u201eMargaritu\u201c Dobrovi\u0107 1928. slika kao de\u010daka, a Petrovi\u0107eva 1944. radi tako\u0111e androgini portret slikarke Leposave St. Pavlovi\u0107, koju je jednom nazvala \u201ebi\u0107em koje najvi\u0161e voli\u201c.<\/p>\n

\u2013 Kod Dobrovi\u0107a imamo i scenu na delu \u201eNa kupanju\u201c iz 1923. gde vidimo dve \u017eene u vrlo homoerotskom odnosu, okrenute jedna ka drugoj. Stoje\u0107a, naga \u017eenska figura, eksplicitno i blago erotski pristaje na zavodljiv pogled sede\u0107e figure okrenute le\u0111ima posmatra\u010du. I figura koja sedi je \u017eena, ali njeno mu\u017eevno telo stvara sumnju. One su na nekoj teritoriji van grada, \u0161to je va\u017eno, jer su oslobo\u0111ene strogih dru\u0161tvenih normi, a gusto rastinje oko njih daje im privatnost. Na periferiji se de\u0161avaju neke \u201e\u010dudne stvari\u201c \u2013 napominje na\u0161 sagovornik.<\/p>\n

Interesantan je podatak da gotovo 90 odsto opusa slikarke Zore Petrovi\u0107 \u010dine \u017eenski aktovi, a jo\u0161 zanimljivija autorkina pozicija koja se prema svojim modelima odnosi kao mu\u0161karac.<\/p>\n

\u2013 Ono \u0161to je kod Zore kvir jeste ta neka vrsta mu\u0161kog naboja dok slika \u017eensko telo. Najindikativniji je akt \u201e\u010ce\u017enja\u201c iz 1933. Vrlo je neobi\u010dan i stvara sumnju ko za kim tu \u010dezne. Seksualno naelektrisana misterija slike dodatno je potcrtana savijenom levom nogom koja prikriva pubi\u010dni deo\u2026 Ostaju dileme, nejasno\u0107e, koje nas vuku da je prepoznamo kao mogu\u0107u kvir temu \u2013 ukazuje Nikola Ivanovi\u0107.<\/p>\n

\"\"<\/p>\n

Nejasno je za\u0161to je Zora Petrovi\u0107 portretisala Leposavu Belu Pavlovi\u0107evu, odevenu poput pravog mu\u0161karca. Nejasan je do danas i odnos dve slikarke \u2013 Zore Petrovi\u0107 i Leposave Pavlovi\u0107, obe bez dece, koje su jedna drugoj bile \u010dest motiv na slikama. Bile su od 1932. do smrti Petrovi\u0107eve 30 godina kasnije veoma bliske prijateljice.<\/p>\n

\u201ePa, kako, s kojim pravom vi mo\u017eete da zabranite da meni najbli\u017ee stvorenje, koje najvi\u0161e volim, najvi\u0161e imam, bude ovde kod mene\u201c, s ljutnjom se Zora Petrovi\u0107, le\u017ee\u0107i u bolni\u010dkom krevetu i \u010dekaju\u0107i operaciju zbog tumora na mozgu, brecnula na lekara koji je zamolio Pavlovi\u0107evu da iza\u0111e iz sobe.<\/p>\n

I sama Leposava Pavlovi\u0107 se poslednjeg susreta sa Zorom u bolnici, kako je navedeno u katalogu izlo\u017ebe \u201eIdentitet (i)\u201c, ovako se\u0107ala:<\/p>\n

\u201eO\u0161i\u0161ali su je sasvim, ali su joj tako lepo vezali glavu\u2026 Bila je tako lepa\u2026\u201c<\/p>\n

Zora Petrovi\u0107 nikada nije bila rada da svoja dela obja\u0161njava, ve\u0107 bi samo ovo poru\u010divala:<\/p>\n

\u201eIstina u \u017eivotu je istina na mojim platnima\u201c.<\/p>\n

Izvor: Nova.rs<\/p>\n

Slike:
\n\u010ce\u017enja, Zora Petrovi\u0107
\nMargarita, Petar Dobrovi\u0107
\nNa kupanju, Petar Dobrovi\u0107<\/p>\n","protected":false},"excerpt":{"rendered":"

\u017dena je delo izvanredne lepote, koju treba pokazivati, upijati, u njoj u\u017eivati, odvajkada se kazuje. I portreti lepih, rasko\u0161no odevenih dama, sa savr\u0161enim frizurama, \u0161minkom, biserima jesu bili prisutni u […]<\/p>\n","protected":false},"author":1,"featured_media":13792,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":"","_links_to":"","_links_to_target":""},"categories":[12],"tags":[495,28,58],"class_list":["post-13791","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-umetnost","tag-nova-rs","tag-srbija","tag-umetnost"],"yoast_head":"\nKvir u umetnosti: Predstave \u017eena u srpskom slikarstvu - GayEcho<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/gayecho.com\/news\/kvir-u-umetnosti-predstave-zena-u-srpskom-slikarstvu\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Kvir u umetnosti: Predstave \u017eena u srpskom slikarstvu - GayEcho\" \/>\n<meta property=\"og:description\" content=\"\u017dena je delo izvanredne lepote, koju treba pokazivati, upijati, u njoj u\u017eivati, odvajkada se kazuje. 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